The solid answer to 1.e4, and the bishop it sets free
The whole point of playing 1...c6 instead of 1...e6 is that the light-squared bishop gets out first. The whole point of playing against it is to make that bishop regret it.
- 3 motifs
- 360 positions
- Section Caro-Kann Variations
The Caro-Kann is built on one small improvement over the French. Black supports ...d5 with the c-pawn rather than the e-pawn, which leaves the c8 bishop a diagonal to develop on before the centre closes. In exchange, Black spends a tempo on a move that does not develop a piece, and the c6 square is no longer available to the knight.
The three main lines are three different answers to that bishop. The Exchange releases the tension and plays a slow structural game. The Advance shuts the centre and then hunts the bishop with pawns on g4 and h4. The Classical lets it come out to f5 and gains time chasing it back. All three produce quiet-looking middlegames in which the tactics arrive without warning, which is what the positions in this section train.
Every motif in Caro-Kann Variations
- Caro-Kann ExchangeQuiet, near symmetrical
- Caro-Kann AdvanceHunt the bishop, or break
- Caro-Kann ClassicalThree moves, one bishop
Other sections
- First MovesMate in one, free pieces
- TacticsForks, pins, skewers, traps
- Checkmate PatternsBack rank, smothered, mate in two
- Sharper TacticsDiscovered attacks, deflection, x-ray
- Sacrifices and Quiet MovesSacrifices, zwischenzug, zugzwang
- EndgamesPawn, rook, queen, minor piece
- AttackingKingside, queenside, mating attacks
- OpeningsTactics from real openings
- Blind SpotsNo hint, and the rule nobody sees
- The Ladder1200 to 2400, four rungs
- Open Games1.e4 e5, and the argument over f7
- Ruy Lopez LinesMorphy, Exchange, Berlin
- Sicilian SystemsAnti-Sicilians and main lines
- French VariationsAdvance, Exchange, Tarrasch, Winawer
- Sidelines and SurprisesGambits that should not work